Last edited by Mogar
Thursday, August 6, 2020 | History

2 edition of On 18th century French typography and Fournier le jeune found in the catalog.

On 18th century French typography and Fournier le jeune

Warde, Beatrice

On 18th century French typography and Fournier le jeune

by Warde, Beatrice

  • 199 Want to read
  • 15 Currently reading

Published by Lanston Monotype Corporation in London .
Written in English


Edition Notes

Statement(By Paul Beaujon (pseud.)).
SeriesMonotype recorder -- 212-213
ContributionsFournier le jeune, 1712-1768.
The Physical Object
Pagination43 p.
Number of Pages43
ID Numbers
Open LibraryOL21526677M

and the exquisite typography and book design of the Renaissance, the 17th century was rela-tively quiety. An abundant stock of ornaments, punches, matrixes and woodblocks from the s was widely available for use, so there was little incentive to commission new material. However, the 18th century was an epoch of typographic originality. Minkoff Reprint, Genève [avec le traité des Gando] Lepreux G., Gallia typographica, série parisienne. Paris ; Beaujon P., Pierre Simon Fournier –, and 18th century French Typography. London ; Carter H. (éditeur), Fournier on Typefounding. London [traduction de P.-S. Fournier, «Manuel typographique» Paris

The Versicle and Response characters are used in Christian prayer books and present in typefaces used for Vatican publication since the 16th century, the typefaces used by Oxford University Press to publish religious books and the types of Simon-Pierre Fournier le jeune. Other characters present are from 19th and 20th century commercial printing. During the 18th century, type measurement was all over the board until Fournier le Jeune attempted to set a standard measurement, the pouce. le Jeune was one of the most influencial designer of his era. Copper engraving flourished at this time because the free line was an ideal medium to express the floral curves of the rococo design.

{Fournier & Carter } Fournier, Pierre-Simon [known as Fournier le jeune], Harry Carter, Trans. Fournier on Typefounding: The Text of the Manuel Typographique () translated into English and edted with notes. London: The Soncino Press, ( copies, 60 distributed in the US by Random House, Inc.). PS FOURNIER, created by Stéphane Elbaz, is designed in tribute to Pierre-Simon Fournier. Fournier was the prolific Parisian type designer whose work is best known for its iconic representation of French transitional style. PS Fournier elegantly represents the transition to the modern era of typography.


Share this book
You might also like
Beyond the Black Hills

Beyond the Black Hills

Rules of the Boston Library Society

Rules of the Boston Library Society

Understanding Antiques

Understanding Antiques

Ibn Kammŭnas Examinationof the three faiths

Ibn Kammŭnas Examinationof the three faiths

All-around athletics

All-around athletics

The Inward Revolution

The Inward Revolution

The affair at Royalties / George Baxt

The affair at Royalties / George Baxt

Inter American Statistical Institute.

Inter American Statistical Institute.

185 sales tips for sure-fire success

185 sales tips for sure-fire success

Design and structure of woven fabrics

Design and structure of woven fabrics

role of military intelligence 1965-1967.

role of military intelligence 1965-1967.

On 18th century French typography and Fournier le jeune by Warde, Beatrice Download PDF EPUB FB2

Pierre-Simon Fournier (15 September – 8 October ) was a French midth century punch-cutter, typefounder and typographic theoretician.

He was both a collector and originator of types. Fournier's contributions to printing were his creation of initials and ornaments, his design of letters, and his standardization of type sizes. Georges Peignot (Paris, J – Givenchy, Septem ) was a French type designer, type founder, and manager of the G.

Peignot & Fils foundry until his death in the World War of four children (including poet Colette Peignot called Laure), he hoisted the G. Peignot & Fils foundry among the most striking French typography companies of the twentieth century (an «elite Known for: Grasset, Cochin, Auriol, Garamont typefaces.

Pierre Simon Fournier, le jeune (b - d) Son of type founder Jean Claude Fournier, Pierre was the younger brother of Jeanne Pierre, an owner of the famous Le Bé type foundry. Pierre, however, built a more important legacy in his career as a gifted punch. The French type founder and designer, Pierre Simon Fournier (), known as 'Fournier Le Jeune', trained at the company of his father, Jean-Claude Fournier.

He also studied art before apprenticing at the Le Be type foundry. The Rococo love of complex, curving decoration was evident in Fournier's work. Fournier, le jeune (), Manuel typographique (Paris: Imprimé par l’auteur).

Graphic Arts Collection (GAX) N Graphic Arts Collection (GAX) N The M, N, Y could be either but the R appears French. Minkoff Reprint, Genève [avec le traité des Gando] Lepreux G., Gallia typographica, série parisienne. Paris ; Beaujon P., Pierre Simon Fournier –, and 18th century French Typography.

London ; Carter H. (éditeur), Fournier on Typefounding. London [traduko de P.-S. Fournier, «Manuel typographique» Paris – Pierre Simon Fournier ( - ) was a French mid-eighteenth century punch-cutter, typefounder and typographic theoretician, master of the rococo form. Typefaces designed by Fournier include Fournier and Narcissus.

He was known as Fournier le Jeune: his father Jean Claude was also in the type-setting industry. History of typographic writing: the 19th century French style, title page. Published by Atelier Perrousseaux, The history of typographic writing (L’Histoire de l’Écriture Typographique, in French) is a collection originally launched by Yves Perrousseaux, since directed by David Rault.

It is well known among the French speaking amateurs and professional typographers. CE Fournier le Jeune standardizes type sizes. The main Neoclassical movement coincided with the 18th century Age of Enlightenment, and continued into the early 19th century graphic design, interior design, industrial design, and typography.

Bauhaus Futurism Futurism was an artistic and social movement that originated in. Fournier published a 2-volume manual that incorporated the history of typography in Europe and many decorative fonts and ornaments.

Giambattista Bodoni continued the transition to the new classical style in the late 18th century by reintroducing a heavy, graceful style. Read about 18th-century typefounding in Cast it #3 Posted on 3 January in: News, Research.

In Decemberthe third issue of Cast it became available. Cast it is a series of printed specimens showcasing the typefaces of the Italian digital font foundry CAST – Cooperativa Anonima Servizi Tipografici. The series is published by Lazy Dog Books. - s. Specifically for Fournier.

See more ideas about Typeface, Neoclassical, Retro typography pins. - Explore Ana Garcia's board "PIERRE SIMON FOURNIER" on Pinterest. See more ideas about Typographic, Pierre, Typography pins. Pierre-Simon Fournier was a French midth century punch-cutter, typefounderand typographic theoretician.

He was both a collector and originator of types. Fournier's contributions to printing were his creation of initials and ornaments, his design of letters, and his standardization of type sizes. Pierre Simon Fournier le Jeune, title pages from Manuel typographique, volume 1, (Image is Neoclassical) () "Ariette, mise en musique" Pierre Simon Fournier le Jeune, pages from Manuel typographique, (vignette and ornament) Standardized across France then Europe type sizes.

So foundrys could produce fonts that were consistent. Handwriting, 17th and 18th centuries. Neo-classicism. France: from the romain du roi to Fournier le jeune. Neo-classicism. France: the Didots and their contemporaries. Wednesday afternoon (Musée de l’imprimerie) Looking at selected books and type specimens.

Typesetting with Fernande Niçaise. Thursday morning (Enssib) Neo-classicism. The 18th-century Rococo movement, characterized by complex curvilinear decoration, found its graphic-design expression in the work of the French typefounder Pierre-Simon Fournier. After studying art and apprenticing at the Le Bé type foundry, Fournier opened his own type design and foundry operation.

His initial design influence was Fournier le Jeune, whose foundry supplied type and ornaments to the Stamperia Reale after Bodoni took charge.

but not so different that they became the 18th. The first book attempts to establish and order French grammar by fixed rules of pronunciation and speech. A new category of roman type introduced in Europe during the eighteenth century and was first used by Fournier le Jeune in his Manuel Typographique to describe the design trends that culminated in Bodoni s mature work.

Fournier Le. Didot Family, family of French printers, publishers, and typefounders who had a profound influence on the history of typography in France. The founder of the family business was François Didot (–), who began business as a printer and bookseller in Paris in He was best known for publishing a volume collection of the works of the Abbé Prévost.

8. Pierre Simon Fournier Pierre Simon Fournier le Jeune was a type designer, type founder, and punch-cutter. He favored the flourishing, natrual lines that were the hallmark of .• 18th century France (pgs. ) • Pierre Simon Fournier le Jeune (pgs. French King Louis XIV inthe _____ typeface became a new category of typography known as transitional roman Pierre Simon Fournier le Jeune, a young year-old.Genre/Form: Biographies History Biography: Additional Physical Format: Online version: Hutt, Allen, Fournier.

London, Muller, (OCoLC)